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Cursed Of The Satay

DaoistCFc4MX
21
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Synopsis
In the remote village of Rawasedep, the villagers follow an old warning: never roast crow meat beneath the full moon. The ritual, known as The Crow Satay, is believed to summon every kind of spirit and demon. From restless ghosts to ancient entities beyond human understanding, all are said to be drawn by the scent of burning feathers. Kliwon, a rational folklore researcher with no belief in the supernatural, returns to his late mother's village to document forgotten traditions. In an attempt to prove that fear is rooted in myth, he performs the ritual himself. That night, the air becomes heavy. The rice fields fall silent. And then, the shadows move. What begins as a simple experiment turns into a night of terror as Kliwon is confronted by headless spirits, cloaked figures, and creatures that should not exist. But the ritual did more than summon them. It awakened something buried deep within Kliwon's bloodline, something the villagers were too afraid to speak of. As the veil between worlds begins to tear, Kliwon must face the truth of who he is and what he has unleashed. Once the crows have been fed, there is no turning back.
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Chapter 1 - The History Written In Ashes

In the heart of the archipelago, beyond the last paved road and across two rivers that no map dares to name, there lies a village swallowed by silence. Rawasedep. A place forgotten by time, buried under layers of unspoken rules and inherited fear. No outsiders settle there. No child is named after the dead. And above all else, no one speaks of the night when the crows came.

Long ago, before the Dutch, before the sultans, before names had meaning, the land that would become Rawasedep was ruled by a man with no shadow. His name was never carved into stone, but the elders call him *Ki Penangsang Lemah*, the one who never blinked, the one who spoke with spirits and tasted death and returned from it. He ruled not with a kris, but with knowledge of what walked in the mist.

One year, the rice fields would not grow. The rain came too late, and the wind smelled of burnt feathers. The people starved. Children dug for worms. Mothers fed their own blood to infants. It was then Ki Penangsang ordered the first crow to be caught. Not eaten. Not honored. Burned. Roasted over dry husks of failed harvest. He claimed it would feed the unseen. That the spirits needed their portion, and once they were satisfied, the balance would return.

The ritual was simple. One crow. One fire. One field. It must be done when the moon is neither full nor gone, only watching sideways, blinking slow. The meat must crackle. The bones must blacken. And the smoke must rise without wind. No words. No prayers. Just flame and ash. The village followed. And the rain came back.

But something else came too.

That night, the dogs refused to bark. The trees wept sap. And in the shadows, shapes moved—tall and crooked, crawling, dragging chains of silence. Children began to speak in tongues. The old saw their dead wives by the river. Crops flourished unnaturally fast, swollen and too sweet. It was as if Rawasedep was blessed by a god whose name no one wanted to know.

The villagers demanded more. Each year, one more crow. Then two. Then a dozen. Until one night, Ki Penangsang stood before them and said no more. He warned them. Said that the hunger of the spirits was never-ending. That they were not feeding gods, but beasts. But the people did not listen. They called him mad. They drove him from the village.

That was the last year the rice grew green.

The next spring, the sky bled. Not rain. Not fire. But crows. Thousands. Blackening the sun. They came from the north, from the river, from the old burial ground. And they fell dead into the fields. Not one survived the fall. The village buried them. Then burned the soil. But it was too late.

That same month, children vanished. Not all. Only the ones born in the last five years. No cries. No struggle. Only feathers on the doorstep. Then the elders. Then the midwives. Until Rawasedep was left with fewer than thirty souls.

The survivors swore never to roast crow again. They passed the warning through whispers, sealed in oaths, branded into bone. "Do not light the fire for the crow. Lest the smoke become a road." That line was carved into the lintel of every house, even as memory faded.

But stories remained.

In the years that followed, Rawasedep turned inward. No technology. No guests. The forest grew closer, as if listening. People whispered of a curse but never out loud. The ritual became legend. Then myth. Then fear passed on like inheritance. It was said that every fifth generation would forget—and try again.

And each time, something returned.

In 1872, a merchant's son brought a crow from the market and roasted it for luck. That night, the wind moaned in the language of the dead. His father was found drowned in a dry well, face up, smiling. In 1926, a child played with a dead bird and drew symbols in the soil. The next harvest, seventeen pigs were born with human eyes. The child was never seen again.

In 1983, two students from Yogyakarta came to study rural customs. They found the village too quiet. Too empty. One of them joked about the legend and lit a fire near the edge of the rice fields. He recorded it on tape. Laughed. Drank rice wine. In the morning, his friend had chewed off his own tongue. The tape never played again.

Now, the village remains. Not marked on any official map. Only those with ties of blood can find it. And even they are warned to forget it.

But blood remembers.

And names carry echoes.

Which is why when Kliwon opened the old letter from his late mother, the one she had forbidden him to read until she was gone, and saw the name Rawasedep written in cracked ink, he felt a chill that no logic could explain.

The letter was not long. It simply said:

 "When the rice grows too fast, and the wind has no sound, do not look east. Do not cook what flies. And whatever you do, Kliwon—never light the fire for the crow.

You are of that blood. And they are still hungry."

He didn't believe in ghosts. He believed in patterns. In data. In rational explanations. But something about that name pulled at him. A village no one mentioned in any archive. A ritual passed in fragmented folklore. A legacy sealed in ash.

So he packed a camera, a notebook, and a question: What happens when myth is repeated enough to become real?

And in doing so, he walked into history written not in ink—but in fire, feathers, and bone.

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